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“John The Lawman” was inspired by the character “Chef” from the classic horror film The Texas Chainsaw Massacre. His duplicitous nature — a seemingly friendly general store clerk by day, a member of one of the most grotesque and deranged families by night — blurs the line between performance and reality, between righteousness and depravity. Through this piece, I hope to remind viewers to question the figures we’re conditioned to trust — especially those cloaked in respectability or social standing.”

“Case” I painted this years ago and never exhibited it—so, here ya go.
The house in the painting once had some legendary tenants—Roky Erickson lived there, and I’d bet Janis Joplin threw up off the front porch.
The house is gone now.
Like everything that moves on, the figure—Case—sits pensively on the steps, caught between memory and the moment. Behind him, the dark door frame hints at what’s still to come: his inescapable future.
A mystery.”

“Sunday Morning Ritual” comes from the idea that ritualistic thinking often leads to creating group think and group identity, which can fuel prejudice and aggression toward outsiders. Every Sunday I remember my friends getting ready, slowly preparing for the ultimate homogenization. ”

“Lil’Devil” background remains unfinished—intentionally or not, it fades into insignificance. So imagine, the boy’s bike lies abandoned, his schoolbooks scattered on the ground, forgotten. What matters now is the tie. With earnest pride, he lifts it up to show you the subject, convinced that nothing else in his weekday is as interesting or important.”